Thanks for taking time to explain!
Really helps to understand it better.
Exactly as Kris described - these are not considered to be part of the scale. These are notes used as ornaments to create tension. Marty Friedman uses a lot of this stuff. These note would sound false if you try to use them as a long, ringing notes.Maybe note as much the 5# (a#) becasue this note is highly realted to blues and rock playing, being called a "blue note" but sharp 7 (7#) would sound false on some chord including note "d".
Hey Marvit!
The reason Darius bends up from these two notes, is to create tension. They don't really have a function in this key (and with this chord progression) - other than being a half step away from the two strongest sounding notes:
I - the root note ( E )
V - the fifth ( B )
When you bend up from a "bad" sounding note to a strong one - you get get a very cool effect!
Great lesson!
The first 2 notes (D# and A#) are not from E minor scale. Can you explain their relationsip to E minor an why are they used here from theory point of view?
Thanks a lot!
Great soloing lesson especially for us beginners who need a lot of work as far as bending is concerned! Nice Darius!
Very nice tone and amazing playing,
wonderfull lesson
Thx Darius
I hope I made a good balance between things still being musical, yet simple enough to be handled by beginners Thanx for all your kind comments
Beautiful lesson Darek!
Vibrating a bending note with a unison is clearly not a very easy thing to do ;-) The tune is really great, I will enjoy a lot to learn and play this one. Drums are quite cool too. Nice job !
Thanx! I'm trying to be up to date on what's happening at the forum, and deliver some help for current requests
Bravo Darius! Just what I needed to get my unison bends into shape.