Excellent technique and great explanations man!
Fantastic, I like these exercises
Great exercise and great playing Juan
Fantastic, reminds me of Brett Garsed!
Awsome lesson Juan & a cool technique for sure !
this is just what I was looking for! kiko Loureiro uses this a lot, and it sounds way cool!
great lesson.. are the tabs not right?
That's tight!
great and cool first lesson juan, i hope you do more stuff like this!! you have natural talent for this, you totally deserve it!! hugs!!
Nice lesson!!
welcome to GMC juan!
Great first lesson, man! Welcome to GMC!
Very good first lesson! Welcome to GMC Juan!
Excellent Juan! great lesson! welcome again ...
awesome playing man! welcome to GMC!
What a great exercise! Welcome to GMC, Juan! Great playing btw
Welcome on GMC! Nice first lesson, will try it one day for sure!
Very cool Juan - I will try this exercise! Welcome again to GMC!
Juan's intro thread can be found here.
Hello GMC'ers! One of the most important things for any musician is to incorporate new techniques to help us express our ideas in a better way and to expand our vocabulary.
On this occasion I'd like to talk to you about hybrid picking. This is a really effective technique which isn't used very often but you might know about it beacause of guitar masters such as Brett Garsed, Steve Trovato, and Danny Gatton amongst others. Still, the technique is extremely useful for any style.
Benefits:
* 1- It's very useful for playing triads, arpeggios and wide interval scale patterns and string skipping as well.
* 2- Just by grouping different patterns on the right hand we'll get way more phrases by moving just a few notes on the left hand.
* 3- It sounds better than sweep picking since we hit the notes with our fingers and that adds way more rhythmic presicion. This also allows us to play cleaner sounds and obtain some killer tone since, for example, gives much more attack to legatos. Chords will sound much clearer too.
This lesson features a hybrid picking exercise I made in the key of E minor which repeats a right hand pattern on the 5th, 4th and 3rd strings and in the 4th, 3rd and 2nd strings (two groups of three strings). This should be practiced in all four groups of strings in order to use them in any melodic idea.
In this exercise all notes should sound at the same volume and with the same feel. Pay close attention to the drums pattern as well.
Practice it slowly.
Chord Progression:
Em9 – Am7 – Gmaj9 – F#m7b5 – Bm7 – Cmaj7 # 11
If you have any questions:
* Give feedback (upper-right-corner)
* My Personal Board
* General Forum
Enjoy!/ Juan
Am7:
Badd11:
Cmaj7#11:
Eadd2:
F#m7b5:
Gadd9: