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- Dorian PhrasesLEVEL 5This scale sounds funky and bluesy. Many guitarists use the Dorian mode in their solos, such as Vaughan, Santana, Eric Johnson, among others.
- Vibing DorianLEVEL 8Learn a solo over a modal progression where all chords are on the dorian mode.
- Dorian FunkLEVEL 5Analyzing the fusion of the Dorian scale with the Blues scale.
- Exotic PentatonicsLEVEL 7How to use the Major Pentatonic as a substitute for the exotic Phrygian Dominant Mode.
- Outside PentatonicsLEVEL 7Use the pentatonic scale for outside playing to create tension!
- Milking PentatonicsLEVEL 5Let me explain the methods I like to use to squeeze the juice out of the pentatonic scale!
- The Dorian ScaleLEVEL 1Start diggin' the Dorian scale!
- Introduction to the Dorian ModeLEVEL 4Getting into modal playing can be difficult, especially considering the number of modes available. In this lesson, we'll study the very useful Dorian scale and discuss how to use it effectively.
- Dorian Phrasing - BeginnerLEVEL 2Covers basics of the Dorian mode: using A Dorian. This mode is pretty much like a minor scale with major 6th interval so you might want to look at it that way for better overview and recognizing.
Feedback
Melodicintenions4th April 2008nice job indeed bravo!
Carlos Carrillo5th March 2008hey david!!!!!!!nice job!!!!
excellent
Joe Kataldo28th February 2008really cool backing track!
seagull22nd November 2007Okay, then it makes more sense! So C# is a perfect 3rd to A?
Muris Varajic22nd November 2007Because note B is major 2nd to A,and C is his minor 3rd.
- seagull22nd November 2007
We really need a quote function here
But what I wanted to know was how a scale formula can be applied to the guitar?
For instance the minor pentatonic, we know the pattern thoroughly on the guitar, but the formula itself, and how to apply it to the guitar is what troubles me.
1-b3-4-5-b7
Lets assume it's the A-minor we're looking for, how do we know if the minor 3rd isn't just a major 2nd? or is it the same? The notes are of course A-C-D-E-G, but I just dont see the logic.
1-b3-4-5-b7
A-C-D-E-G
What I don't get is why C can be the minor 3rd step? Why not just the 3rd step? Is it because of the half-tone step between B and C? If so, please explain a bit further.
1 2 3 4 5 6 7 8
A-B-C-D-E-F-G-A
Im sorry if this is confusing, but I really wan't to understand the theory behind the music as well. 
Pablo Vazquez21st November 2007Hey, that´s so good!!!!!!! Excelent lesson!
David Wallimann20th November 2007Hi David.
Great sound and excellent phrasing!
But I'm hoping that you cold help me out theory-wise, because I don't understand the connection between reading a scale formula and applying it to the guitar. My starting point is for instance the G octave on the low-E string and the D-string, and I know that it's an octave, hence the "8th" step in the scale. But how do I figure out what steps the other notes are?
Im asking cuz I'm working on my ability to not solely rely on scale patterns, and instead be able to figure them out myself while playing.
It seems to me that you REALLY know your theory, and I would just LOVE if you would make some theory-lessons with video, as I find texted lessons like Andrew's confusing.
Thanks in advance!
Not sure I understand your question.. Are you basically asking how to find your own patterns to play a scale?
If so, you can just take the pattern that I suggested, then write the notes down.
In this case it would be
G-A-bB-C-D-E-F
With that in mind, you can simply find thgese notes on the fretboard and make your own scale paterns.
I hope this helps.
I love the idea of doing video theory lessons!
I'll see what I can do and if we can use that format...
Juan M. Valero20th November 2007Excelent, Love how you use the modes
Bedlam20th November 2007Great lesson, I really enjoy the backing track!
- Muris Varajic20th November 2007
Great use of maj 6 inside minor pentatonic,
not typical dorian sound of 7 notes,well done David!! - seagull20th November 2007
Hi David.
Great sound and excellent phrasing!
But I'm hoping that you cold help me out theory-wise, because I don't understand the connection between reading a scale formula and applying it to the guitar. My starting point is for instance the G octave on the low-E string and the D-string, and I know that it's an octave, hence the "8th" step in the scale. But how do I figure out what steps the other notes are?
Im asking cuz I'm working on my ability to not solely rely on scale patterns, and instead be able to figure them out myself while playing.
It seems to me that you REALLY know your theory, and I would just LOVE if you would make some theory-lessons with video, as I find texted lessons like Andrew's confusing.
Thanks in advance! 
Kizaze4420th November 2007This is great. I've been struggling trying to solo using the full dorian mode (with all the notes). This puts things in perspective! Thanks!
Kizaze
The Uncreator20th November 2007Very cool stuff, i love yours style man
Jeff20th November 2007Wow David this is incredible! You always come up with the best backing tracks for your lessons too. What a cool funky beat. It will take a while to learn this one but it is inspiring.
Kristofer Dahl20th November 2007Lovely David! I also find there is a huge difference between playing the boxes you show here - and actually adding the b7 of the stadard pentatonic scale. The way you do it here really give sthe dorian touch!
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- Lesson
- My notes
In this lesson, we'll focus on building cool dorian licks with the minor pentatonic scale. The secret is to add a Major sixth to the minor blues scale. The major sixth is what makes a minor scale sound dorian.
Memorize the few boxes and then work on the licks. These should be helpful to build your musical vocabulary.
Once again, practice slowly and confidently.
Have fun!
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