Country

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Difficulty 3 of 10

Introduction to Major Pentatonics

By David Wallimann


Major pentatonics are a great way to start expanding your leads. This lesson should put you on the right track to Major leads in no time!

Difficulty 3 of 10

Country Solo - Beginner

By Juan M Valero


The beginner part of this bluegrass/country solo serie.

Tags: easy country

Difficulty 6 of 10

Country /Bluegrass Solo - Advanced

By Juan M Valero


Alternate picking and some muting strings, arpeggios with sweep and string skipping and pedal notes. Take your pick and let's go!

Difficulty 3 of 10

Country Picking - Beginner

By Muris Varajic


In here we have some sliding, bending and picking. Play as close as possible to the bridge, as it will give you the typical country tone.

Difficulty 6 of 10

Country Picking - Intermediate

By Muris Varajic


This part is mostly about rhythmical patterns. No tricky runs, only rhythmic chops that gives us that country vibe.

Difficulty 8 of 10

Country Picking - Advanced

By Muris Varajic


Techniques involved: alternate picking, "chicken" picking, use of open strings, bends.

Difficulty 4 of 10

Bluegrass Country Rhythm

By Juan M Valero


We will practice chords, alternate picking, and muting strings. The most important is the right hand and the Down-Down-Up pattern that is played in all the rhythms.

Difficulty 4 of 10

Country Licks

By David Wallimann


One of the things you need to focus on if you want to sound country, is your picking. The low notes will be played with he pick held between the thumb and the index, while the middle and ring finger will play the higher notes.

Difficulty 8 of 10

Fast Country Solo

By Muris Varajic


Alternate picking, pull-offs and hammer-ons, hybrid picking, "chicken" picking, bends and double bends, use of open strings, even "fake" steel guitar technique. Hop inside!

Difficulty 6 of 10

Acoustic Country Blues

By Ben Nisenblat


This acoustic lesson is in the country/blues style without the use of a pick. To do it right you need to block the rest of the strings. It's an excellent exercise that gives single line melodies a powerful sound.

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