Heavy stuff !
Marek Rojewski, simply play it on a six string, as you read the tab, and will be automatically transposed in Eminor, That's it
Well done
Nice groove there!
Nice to see someone covering Petrucci's style. Excellent work, Joe!
Great! Has that "Awake" sound!
Thanks bro!
Awesome riffs Joe, you rock!!!
Sounds great Joe! You nailed his rhythm style!
Sounds great Joe! You nailed his rhythm style!
Sounds great Joe, riffs are powerful!!
Great riffing and killer sound Joe!
Cool riffs, but I don't know how should I transpose it to 6-string guitar? Just play it one string lower, or find the same notes on the different place on the fretboard?
Thanks Guys
Sounds amazing, Joe! The tone is also brilliant
Wow! You have some nice riffs there!
And great sound as always
Nice lesson Joe
Sounds very cool, nice riffs, and sound is great, very punchy.
Hi Joe !
Nice riffs man.
Awake all the way, good job Joe.
Cool riffs Joe
I suppose I got inspired by awake in general, I really like that album, no any song in particular.
Cool stuff Joe !
Great, indeed very powerful.
Very powerful. Good job
Very cool riffs Joe, it rocks!! I love the intro fast part with the very cool harmonic
Great riffing Joe!
Sounds excellent! Great riffs, Joe!
Nice Joe! Reminds me very much of something off the "Awake" album, his earlier seven string stuff. It sounds to me very inspired by the song "Lie"? Would I be right ?
Petrucci Style - Seven Strings Rhythms - B minor - 100 bpm
As you probably know I'm a big fun of Dream Theater and John Petrucci, and you can hear his influences in many metal lessons of mine, today I'm proud to present to you a lessons on his rhythm style, something reminiscent of Liquid Tension Experiment albums (Dream Theather former members side Project).
The study is quite easy, is divided in three parts, I've tried to put a typical element of his style in each of them:
everything starts on the left channel and after a couple of bars a second guitar kicks with a sixteenth note sequence played in harmony, then the full band kicks with the main riff, alternating power chords and seventh string riffing. The last part is arpeggiated with a fairy amount of distortion to obtain note clarity, specially on the extended chords like C#5/b9.
This study can be easily adapted for a six string guitar, so even if you don't own a seven strings guitars, you can still enjoy this lesson.
Keep Rocking,
Joe Kataldo