A uniquely identifiable country take on the 2-5-1 progression.

Short etude demonstrating various arpeggio shapes.

We use the II, V, I progression for an improvisation work. The progression comes to the 5th circle but at the same time the chords arise to the major scale. This is the explanation to understand the IIm, the V7 and the Imaj7.

An example of a bossa nova chord progression!

KEYBOARD4GUITAR series: 10exercises for the 5 fingers - part 1/2

KEYBOARD4GUITAR series: 10exercises for the 5fingers - part 2/2

After you got familiar with 3-string sweep picking it's time to move onto some 5-string shapes!These shapes will allow you to create some long crazy runs and you'll also see how to combine them with 3-string shapes. Cool thing about sweeps is if you have a melody in your head you can replace one note with the whole arpeggio shape and make a crazy sounding solo. For example, instead of playing the note A in a melody, you can play the whole A minor triad arpeggio.

BWV 1007 Popular cello suite By J.S.Bach.

Sarabande from the BWV 997 lute suite by J.S.Bach