Two versions of romance, one with counterpoint (in music, counterpoint is the relationship between two or more voices that are independent) and another in a waltz style.

Last part of the fugue from the BWV 997 Lute suite by J.S.Bach

Thumb and fingers alternation study by Carcassi.

In this part we have a recapitulation of the theme, and elements of previous three parts. If you did the previous parts you will easily recognize them in this one.

This piece is excellent for those that just started play classical music. Italian guitar virtuoso Giuliani flourished through the first third of the 19th century.

The whole part is like questions and answers. The questions are coming from more voices (the thirds), while the answers come from one voice (solo). So you can imagine any situation and play it.

A polyphonic piece with two melodies, one played with thumb, and another played with index-middle combination. This lesson is most useful for the mobility and strength of the thumb.

Sonatina by Joseph Kuffner (1776 - 1856), Austrian classical guitarist and composer. Sonatina is basically a small sonata without strict definition, shorter, lighter and technically less demanding than a typical sonata.

Sarabande is a slow dance in triple meter with the distinctive feature that the second and third beats of the measure are often tied, giving a distinctive rhythm of quarter and half notes in alternation.