Applying Modes - Part 2

Welcome to lesson about Applying Modes- part 2!
In this lesson I would like to show you where and how you can apply modes. We will take the example of famous C major scale and and its tones-

Remember, all major keys are constructed the same. Major, minor, minor, Major, Major, minor, diminished and Major.

- Lydian (major) mode starting from F :
C D E F G A B C

The fourth mode of the major scale is called the lydian mode. It is similar to the major scale, except that it has a raised fourth.The raised fourth is not as dissonant over a major chord as the natural fourth of the major scale, although it is somewhat exotic sounding.
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- MIxoLydian (major) mode starting from G :

C D E F G A B C

The fifth mode of the major scale is called the mixolydian mode. It is similar to the major scale except that the seventh degree is minor rather than major. The mixolydian mode generates a dominant seventh chord.Therefore, the mixolydian mode is a natural choice when improvising over a dominant seventh chord.
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- Aeolin (minor) mode starting from A :
C D E F G A B C

The sixth mode of the major scale is the natural or pure minor scale, also known as the aeolian mode. It generates a minor seventh chord.
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- Locrian (diminished) mode starting from B :
C D E F G A B C

The seventh mode of the major scale is the locrian mode. It generates a half-diminished or m7b5 chord..
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Let's start..
This is a second part of the lesson where we will study the last four modes-

Lydian - chord progression/ F,G
Mixolydian - chord progression/ G7,F
Aeolian - chord progression/ Am,Fmaj,E7
Locrian - chord progression/ B5,C

GP file ,tabs, and backing tracks included!