Very nice
muy bien ale!!
Thanks for the comments !!
Alejandro
Hi Vasilije, Is not a Gibson, is an Epiphone Sheraton II
Alejandro
Great Alejandro! I need these kind of lessons. Thanks!
Very cool harmonizations man
Excellent lesson man!
I love these kind of lessons, they really expand your fretboard knowledge. Thanks!
Thanks Alejandro for your reply, it's clear now
Good job Alejandro!
Nice!
Is that Gibson 335?
Thanks all for the comments!
Alejandro
thanks all for the comments!
Alejandro
I hope this help you Berko!!
See you!
"We use this mode for example when we play over a secondary dominant of the IIm of a major key or when we play a secondary dominant of the IIIm of a major scale."
Hi Berko, we could use this scale in both cases.
The secundary dominant is the fifth chord (Major chord with minor seventh) by any chord of the scale . The seventh grade of a major scale has no dominant because the seventh grade is not a stable chord.
The first chord of a major scale has no secundary dominant because this chord have a naturaly dominant( the fifth grade of the scale)
Extremely useful lesson. Great job
Great lesson Alejandro. I just don't know why there is Bb in this one when you have B, which represents the major type scale which mixolydian is. ?
Great lesson Alejandro!
Cool stuff!
I have 1 question though:
"We use this mode for example when we play over a secondary dominant of the IIm of a major key or when we play a secondary dominant of the IIIm of a major scale."
So what's a secondary dominant? Is it 4th degree (or sub-dominant) or something else?
Thanks in advance!
Very useful lesson !!
Nice one Alejandro!
Hi GMC! Welcome to this new lesson. Today we will talk about the myxolidian b9b13. This mode is composed by the root, minor second, minor third, major third, just fourth, just fifth, minor sixth and minor seventh.
The myxolidian b9b13 has even more tension than the myxolidian. If we play this scale we have, for example, the minor second (9ºb, Ab) that will be resolve to the fifth of the next chord, we have the minor sixth (13º b Eb) that will be resolve to the third or to the ninth of the next chord, don´t forget the third (the note B) that will be resolve to the Root of the next chord and the seventh that will be resolve to the third of the next chord.
We use this mode for example when we play over a secondary dominant of the IIm of a major key or when we play a secondary dominant of the IIIm of a major scale.
I hope you enjoy this lesson!