Create modern sounding chord voicings by using the minor pentatonic scale

Fourth lesson covering the style of Lemmy's compositions.

The fourth part of the epic Winter Tune series.

This is the fourth and last lesson of the series that show how many different scales can we play over a dominant chord.

This mode is composed by the root, minor second, minor third, major third, just fourth, just fifth, minor sixth and minor seventh.

This tune is the fourth and final movement of Beethoven's 9th symphony.This small piece is a very good exercise for both left hand and right hand.

The fourth study in D major from Matteo Carcassi's 25 Melodious Studies for Guitar. This one is for the left hand. It's a "pull-off mania" with pinky and ring finger.

A short etude designed to develop right hand technique indicative of country music and "chicken picking" in particular. This hybrid style adds the second, third and fourth fingers to a standard flat picking technique and gives the player a unique control over picking dynamics and tone.

Fourth lesson in the series, where we will cover positions 4 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, and it will create a more interesting vibe in your playing when alternating these two patterns/feels.