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- Jazz Fusion EnclosuresLEVEL 5In this lesson we are going to take a look at a bebop jazz guitar technique called the enclosures and apply this cool concept to our jazz fusion phrasing.
- Approach Notes and ChromaticismLEVEL 5The use of approach notes and chromaticism is an important element of playing that we find in various styles of jazz, jazz fusion, etc. It is a great technique to add color, feel and some tension to your playing.
- Creative ArpeggiosLEVEL 6Ideas and concepts about arpeggios phrasing : How to create some interesting and meaningful lines using arpeggios and triads.
- Bebop LicksLEVEL 4Let's learn some Charlie Parker / Bebop licks over a II V I progression in the key of Bb Major.
- Chord SubstitutionsLEVEL 3Different chord progressions played over the same melody to show how it is possible to change one chord with another. The Tritone substitution technique.
- Vibing DorianLEVEL 8Learn a solo over a modal progression where all chords are on the dorian mode.
- John Scofield StyleLEVEL 6In a Jazz funk context, we gonna see how John Scofield blends the Pentatonic/Blues scale, the Mixolydian mode, the Diminished scale for outside playing and other concepts such as chromaticism/passing tones.
- Emergency ModeLEVEL 4What to do when inspiration is not there, but you still need to deliver cool lead lines.
- Interval Series - OctaveLEVEL 4Interval Series - Octave. Smooth jazz type melody using octave interval.
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Feedback
Cosmin Lupu26th January 2013Great piece indeed baskerville
I like it too!
baskerville26th January 2013That's exquisite Stephane!
Dinaga22nd March 2012That's some smooth playing, mate!
Sweet lesson, I love those arpeggios 
Stephane Lucarelli22nd March 2012Great, thanks guys!
thefireball22nd March 2012Almost like sweeps in slow motion!
Amitai Kedmi22nd March 2012Fantastic Stephane! Been waiting for another lesson from you. Thank you
Ben Higgins22nd March 2012That's so groovy Stephane !!
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- Lesson
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Hi GMC!
Triadic super...what?
Don't worry! The concept for this lesson is quite simple : how to enrich your phrasing with a simple concept?
Well, we are going to play some Major Triads (only Major shapes & inversions) over a minor vamp : C-7 vamp (Dorian mode).
The idea is to have the same and 'simple' major triad shape in combination with others tools as the minor pentatonic scale, the dorian mode...
Lots of things to experiment with! This will allow us to easily play some important enrichments or tensions of the chord.
To summarize: over the C-7 chord we are going to play the following major triads. You'll find the enrichments played in brackets.
D (9/#11/13) - A bit "outside" sounding because of the #11 (blue note)
Eb (m3/5/7)
F (11/13/R)
G (5/M7/9) - A bit "outside" sounding because of the M7
Bb (7/9/11)
B (M7/m3/#11) - The more "outside" because of the M7 & #11
You'll find more tips and explanations in each video section.
I hope this lesson will help you understand, use and apply all these concepts in your own playing.
Have fun and be creative!
Gear used :
Gibson ES-339
Fender Hot Rod
Tone Freak Abunai2 OD pedal
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Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player)
Go to next part: PageUP or End.
Volume: ArrowUp / ArrowDown keys
Go to any part: Number keys (combinations also possible)
Pause or play: `k` or space key
Fullscreen: `f`, esc to close
Increase / decrease speed : `+` or `-`
